1

Yes, of course I’m very frightened

I fear something will happen this weekend,

I wish I could return home

this is a dangerous place for me

I know I am very unpopular

with the powers that be,

it worries my friends

who are now nowhere to be seen

have they deserted me?

2

Too late I think I’m done for

arrested on some nefarious charge

inciting civil disobedience

and unlawful gathering, seriously,

I’ve already taken quite a beating

they’re trying to make me confess

I’ve been told this has gone viral

not all the guards are bastards.

3

He’s a very weak magistrate,

a right jobsworth judge

who seems to be in two minds,

I think he knows I’m innocent

but he needs to please the press

and the crowd of course

who always like a good show

4

I’m to be sacrificed, 

he’s washed his hands of my case

there’s nothing left but the death penalty

and I’ll be left hanging out to die,

Wait until my father hears about this

he’ll raise thunder you’ll see

5

The pain disappears swiftly

hands and ankles have become numb

The wound in my side is rather sore

I feel like a fading voyeur

watching them, watching me expire

6

Lying here I feel nothing, but sadness

bound into a threadbare shroud

death’s cavernous departure lounge

gives me time to think.

7

So, I must leave you

no emotional farewell

did I achieve anything?

8

Will I be remembered

good, bad or indifferently.

9

Thank you for listening, Hallelujah!

*

© Graham Sherwood Easter 2020

There is an old saying,

the left hand doesn’t know

what the right hand is doing,

which holds true for most of us.

In Zen, the left hand is oneself,

the right a family member

a friend a neighbour

even a foe.

Clasp your hands together,

consider the people around you,

think of them

and you will get to know them better.

*

© Graham Sherwood 04/2020

When the bad germs have gone away

you can come to my house

give me a hug me, hold my hand,

laugh too closely to my ear

and say Papa, listen

I know a secret.

*

Graham Sherwood 04/2020

Become aware of holding the pencil,

think about how your fingers

will add a patina to the wood.

Stroke the paper 

upon which you intend to make a mark,

before you begin to write

look out of the window

the view may look the same as yesterday

but something will have changed.

notice it, enjoy it, record it.

Only use the words you need,

distil your thoughts, make them strong

leave a good impression,

take as much time as you need

there is no rush.

*

© Graham Sherwood 04/2020

We watch death approach passively

as would cattle, penned at an abattoir

with little to see, able only

to bathe in its anxiety and wait.

Where prisoners serve a sentence

we have none specified, forced to 

mindlessly endure and hope for pardon

as death weakens, is sated.

Introspection breeds resolution

for change, a renewal, an awakening

values are tabled and handled fondly

as we listen for news.

*

© Graham Sherwood 04/2020

I am prisoner to the invisible jailor,

forced to audition as leading man 

in my personal Hitchcockian drama

in which death stalks my neighbourhood,

a flagrant killer waiting patiently for my demise.

My life support comes packaged and

delivered by mute couriers, 

white van pollinators

busying between the doorsteps, house-to-house.

I hear constant warnings, fear, dire consequences

but I am eager to see life, movement,

so have become a voyeur

after dark, before curtains are drawn

covertly studying the mundane

spying on other people’s still life tableaux,

each starring in their own private movie.

*

© Graham Sherwood 04/2020

When danger seeps

some gentle press of melancholy

a tremulous catch upon the throat

or the heavy weight of torpor,

make haste to your safe space

put on a heavy coat of books 

hide beneath a rich curtain of music

be guarded by old family photographs

precious mementos will warm you

summon strength from old diaries

and epic poems,

reminisce with fishing rods

old walking poles and compasses

broken toys you meant to fix

posters from your salad days,

danger has no currency there.

*

© Graham Sherwood 03/2020

two words conflict,

one secreted in its carapace

behind a window safely waving 

to the passing world, 

a second, delicately-skinned

fruit that can be stroked

cosseted and immersed in.

but here we are,

we might say ‘stay in touch’

knowing we cannot hug or kiss

or we may write ‘keep in contact’ 

an easier proposition

with message, mail or gestures,

so, we become reduced

and watch the subtle touch

of fruit decay before our eyes,

the perfect bloom of skin, 

left to parch and wrinkle

for lack of our soft caresses

*

© Graham Sherwood 03/2020

Unusual for you to wake me,

for a moment I was concerned but

as I turned the curtains were aflame

with the blush of an early marmalade sun

spread full across the window,

there being few leaves on the damson yet

to hinder it.

Your arm was bolt upright, 

finger pointing to the ceiling, signposting the light,

an upside-down bouquet, an explosion

of twelve individual rosebuds in Lalique glass.

Through a slim crack in the curtain

one flowerhead, just one, was brilliantly

illuminated.

In these disturbing times

it was a sign you said.

*

© Graham Sherwood 03/2020