Capture and Release

Heavily laden charcoal cumulus, so low

they might scratch my head, gather and 

circle the cottage like a witch’s coven and

as if cursed by its melancholy spell,

my brio, slowly strangled on this dull Sunday,

draws me to paper and pen.

Like many others, here I may use pretence

to be whomsoever I will, 

hero, lover, villain, cad, 

writer, vicar, soldier, god

the pictures spin, circling in voracious form

a carousel of possibilities and slowly, surely

my rescued ego dances in the rain,

*

© Graham Sherwood 10/2019

Back Number

Each time I come to the village, 

I try to slip in on a different route

as if to catch the old place off guard.

My favourite gate is via the station,

now demolished, the bridge modernised,

over the stickleback heaven brook of my youth, 

with a nod to an old friend’s quaint old cottage

remembering the damp chill 

of the tiny circular stone stairs.

Now it’s a pristine grotesque domain

locked away from local eyes.

I always slow for the cemetery,

uttering ‘hello mother’

through my guilty eyes

making promises I know I won’t keep,

pondering if I’ll ever have the nerve to return.

The old scout hut has gone, the paddock,

the old school too come to think of it,

an asphalt playground turned to lawn.

I never stroked a four on the cricket square

but still feel myself smarting

at being one number off

an autographed bat in the raffle

as a child, 

ironically at the time

my father seemed more disappointed than I.

Senses gather quickly as I turn into Church St,

past the elevated old school and The Limes,

a slalom of parked cars, unknown in my day,

strangle the road, the High St is the same.

The old bottom-end appears to sigh

as I wriggle between its buildings,

a postcard comic-strip of my childhood

sliding by as if cranked by a handle,

my element of surprise having faded.

*

© Graham Sherwood 10/2019

Bygone

Just a name, a person long forgotten

a face that flashes, fades or fixes

in the mind’s eye for a split-second,

only to dissipate and become the

thin mist on a memory,

a vague photographic persona

half in the black and white margin

a melancholy wraith, witness 

to his own anachronistic ensemble.

*

© Graham Sherwood 10/2019

Summer Cloud

The morning after and washing-up 

in a trance, half awake, fondling

wine glasses, their perfect curves almost erotic

in the warmth of the water and soap.

Recalling how you had talked openly last night

of how your life has changed,

of how those things you’d longed-for

waited for, will now no longer happen,

your sadness, salved by my red wine.

Then I remember you as that young girl, 18,

who still hides behind those burning green eyes,

that flash at the cruel irony of it all,

how you’ve discovered fate has broader hands

than you realised, shaping you, moulding

the path you’ve walked.

As I hold up the clear, brilliant glass

cleansed and polished like a life,

caressed with a soft white cloth

to make its skin shine,

I think more clearly now

of how I could have protected you.

*

© Graham Sherwood 09/2019

September Scent

Late September

and Bea is still picking thumbnail tomatoes 

scoffed like sweeties from a tub.

Every corner, cleft and crack

holds curled up brittle leaves

that rattle in the slightest breeze.

Around the shabby garden

plants already look defeated, and 

surrender to the change of season.

Damp cobwebs drip and 

trampoline between brittle stalks,

threadbare tensile silver flags.

In all this, it is the smells 

that heralds change,

mushroom, moss, and manure

flung on nearby fields,

impatient birds on a wire

like black clothes pegs

about to leave for warmer climes.

*

© Graham Sherwood 09/2019

Are you okay?

Driving home Sunday,
Oxfordshire evening sunshine 
burnishing spires and flaming
rape fields too bright to look at.
Mulling over the day and
you asking me if I’m okay
more than once
due to my uncharacteristic silence,
my brief absent-minded answers
‘Of course’.
It’s like coming up for air whilst swimming
only to dive straight back beneath
the reminiscing waves, to
warm end-of-summer stroked thoughts
of the little ones careering busily
over garden obstacles,
their parents chatting over wine
and obstacles to busy careers,
‘Are you okay’
‘Of course’.
Summer’s lease coming to a close.

*

© Graham Sherwood 09/2019

Jackals and Worms

Faceless, names long-forgotten

sour mendicants, trolls and crones

watch and wait, and

doze around the dying embers

of their camouflaged anonymity.

Sleep eludes them, and with

their crippled self-belief

flapping in the winds of battles lost,

they, cursing, spit foul bile

that sizzles briefly on hot stones.

*

© Graham Sherwood 09/2019

Bone and Ash

Always you two, 

always was 

now, always will be

you have realised

our fears of being parted

but come together once more

on this God-awful morning.

As requested

we’ll wear bright colours 

and we’ll smile

at your hilarious eulogy,

the humour a given, even

from beyond the grave.

It’s the dignity that shines

how you both left us

quietly and discreetly

slipping away

as if for an assignation

you both now share.

We’ll return 

when the earth has settled

and wrapped itself around you both,

seeing both your names

carved in stone

we’ll check the spelling carefully

and smile

as you would have done.

*

© Graham Sherwood 09/2019

Family Trees

My knackered right knee 

went west half an hour ago, 

and somewhat indecorously

I crash onto the garden bench,

an overweight sponsored skydiver,

landing too hard for comfort.

Fitbit throbs, and

gradually records a pulse, so

my recovery confirmed

I open my eyes, and regard

the generations of trees and

muse upon my family.

Matriarch, Joan

a splendid ninety-one

the stately cracked willow.

Two prodigal sons, each busy bearing fruit,

a greengauge and a damson.

But my eye rests easily

on the lively skittish braeburn, 

a five year old whippet yet,

the garden’s granddaughter.

I watch each tree move to a rhythm

the season, the year,

all marking their place, 

growing, responsible.

*

© Graham Sherwood 09/2019