Made to last

it’s not kept up there

on the special trophy shelf 

with other myriad mementos

his tankard the war medals

silver pocket watch et al

it has no status

holds no pride of place 

swinging from a rusty hook

on the back wall of the garage

it shares a dark corner

with an old cobwebbed 

trout net

his old tenon saw

beech handle brass spine

still as good as new

honest, a workmanlike tool

made to last in those days,

it beats those other facile 

heirlooms that gather dust

hands down

its patina reflecting images

of cupboards once made

table legs carefully sawn

snug dovetails cut by eye,

but it’s when I hold it

using my left

(his would have been the right)

my fingers tucked in, 

like a child holding a parent’s hand

thumb curled over secure,

I can see his breath spill

over my shoulder

like fine sawdust and

hear his encouraging words

steady, true, take your time

this is how I stay in touch

him gone now some 

thirty years or more but

with this one old tool

I can still hold his hand

*

© Graham R Sherwood 12/22

17 to 71

I wrote words for you

bold words

words that bled 

the whispered words 

of lovers

oblivious to all else

happily willingly lost 

in a torrid ferment that

neither of us needed

nor wanted to understand

and yet 

here we are

a lifetime later, 

like gently maturing wine

nothing left to prove

giving of our best, and

even now

I might catch you 

standing there

face turned toward

the winter sunshine

eyes still as star-bright

as when we were both

seventeen

*

Graham R Sherwood 11/22

I Believe

taking care not to slip

I overstride the bottom stair

of November 

and keen my ear

as the fates murmur their annual

carol of hope wishes and dreams

for the arrival of a white Christmas,

~

a passive glance to the pathetic

stinging drizzle outside augers

treacherously long odds

albeit much can happen in a month,

~

early decorations have already

begun to blossom like gaudy 

houseplants on windowsills

and hearths with faux icicles 

draping and dripping from 

moss-filled gutters,

~

at the school gates children

spill out humming favourite

songs of praise and wonder

ahead of nativities and concerts

and for that brief moment

I close my eyes 

transcend the dampness in the air

and still believe

*

© Graham R Sherwood 11/22

The Secret

I think this will be it,

the last time we witness

belief, wonder and trust,

 belief in the myth 

we’ve gladly perpetuated

each year

whilst watching the

the wonder in her blazing

saucer-sized eyes,

this year we know

the bubble will burst

and with it the

first crack in her naivety 

and she will never fully trust

us ever again

*

© Graham R Sherwood 11/22

Lost in Space

a small space

it morphs between

a prison cell and a womb

both forms of incarceration

hopeless and hopeful

‘old threepenny-bit

wooden fishing reel

small boomerang

pencil plane‘

of course, there are books galore 

all read many outdated 

cladding the walls 

begging for re-use and 

a leftie Martin acoustic

lonely in the corner pretending 

to give me the cold shoulder

‘bottle of ink

grandma’s rolling pin

cricket ball

school certificate

pewter tastevin‘

there’s a window to look out

another to look into, which

sports an unerring cursor blink

sarcastically recording my

inadequate productivity

‘cricket ball

fountain pen

French house sign

wooden bottle‘

a cornucopia of mementos 

sit scornfully too

abandoned favourites now forlorn

ruefully gathering dust

‘ancient whistle

clippy’s punch

Rubik’s cube

champagne cork‘

it’s a small space

ten foot by five

hardly the place to get lost

but somehow I always do

*

© Graham R Sherwood 11/22

Birds of a Feather

an unseasonal oppressive torpidity 

envelopes a bland peculiarly

milky November sun,

three tired old men

overdressed for midweek matters

squat snugly on an overpainted 

wrought iron bench,

shoulder to shoulder

like fat budgerigars,

they occasionally shuffle

their feet and wave their hands 

as tap-dancing mothers might 

to shoo away pestering children

thus discouraging the squabbling pigeons

that mither over fast food detritus,

one man passively considers

the irritating persistence

of the scavenging birds

afloat in a ketchup-smeared 

polystyrene barge,

a second nostalgically regards

the reckless lunging tackles

of schoolboy footballers

caged within a rusting

long abandoned tennis court,

the third stares intently

with the considered appreciation

of a competition judge

awaiting a likely knicker flash

from the young girl on the swing

*

© Graham R Sherwood 11/22

Turn

poets write of the weather,

of the subtle merging of seasons

the gentle elemental spillage

as elements collide,

water vanquishes fire

light is masked by shade, 

and birth concedes to death,

poets record these changes

be they mundane or sublime,

distilling colours aromas sights

textures voices

in such beguiling word pictures

they seek to beautify us all

*

© Graham R Sherwood 11/22

Vouvray 1947

it’s so important, for me

when I open a bottle of wine

to be able to say

I know this man, I’ve witnessed

his passion, I’ve held his hand

the hand that made this wine,

I have eaten at his table, looked

into his eyes, glass in hand

and shown my gratitude 

without needing to speak

*

© Graham R Sherwood 11/22

Memory Music

it’s in my blood,

this ache to return

to have a poke around, 

see what’s changed

it was my home once 

I lived here, was born here

I flit back occasionally,

a moth to a flame 

chaotic unplanned visits 

with scant regularity

  ~                                  

“don’t be concerned, 

 it will not harm you

 it’s only me pursuing 

 something I’m not sure of”

~

then my Libra takes over

weighing things in the

emotional balance

you shouldn’t have returned

you left for a better life

outside, somewhere else

don’t you understand

you don’t belong here

~

“tell me over and over 

and over again my friend”

~

so, I walk the lanes slowly

for fear of waking memory ghosts

asleep behind the russet stones

~

“listen do you want to know a secret”

~

they slumber these long years

a dormant cast 

museum exhibits,

faces only I can see, wait for me

~

“every time that you walk in the room”

~                                    

the old friends I see

are now truly old but 

recall only their young faces

 blood brothers I once knew

played with, laughed with, 

cried with, would have died for

walks seemed longer then

trees taller, roads safer,

days warmer

~

“watching and waiting 

for a friend to play with” 

~                  

innocence long gone

past girlfriends gone

taken as wives, now mothers

old adversaries 

some long dead, 

now benign as am I

old warriors seeing sense

teenage vendettas cold

 let sleeping dogs lie

~

“first there were heartaches, 

then there were tears”

~

I stand head bowed

bad places, blood on the road

a phone box, a bus stop

an ale jug, a tea towel

a chip shop, a moped

two lying dead

~

“Oh lord, please don’t let 

me be misunderstood”

~

these days I walk the lanes 

slowly, there is too much to see

 the music too loud

*

© Graham R Sherwood 11/22