MK?

Version 2

This is the city of glass,

that cannot be recognised in plain sight

secluded behind its hidden persona,

refracting and reflecting, camouflaged,

avaricious cuckoo conurbation,

gluttonous consumer of consumers.

 

This hypno-magnetic shangri-la

a village robber baron casino,

devourer of communities

entombed, strangled and

embalmed in modernism

preserved under glass.

 

Its confused composite DNA

a helter-skelter not helicoid

a venal entity, an arterial CO2 grid mat

that bleeds its toxic spew

to polish the showpiece dermis

a brilliant carapace, with which

we are all blinded.

 

© Graham Sherwood 11/2018

Still Life

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This rendezvous, arranged the previous week

and after fifty years, here you are.

Offering the feintest of smiles, we remain face to face

just looking, studying each other’s wrinkles, creases, lines

searching for clues

why and when these features had been etched, wondering

how each other’s lives had become watermarked

with such ghostly timelines

chiselled on our brows, our cheeks, our mouths

and all our colours stolen

leaving only tarnished silver and aged grey

 

 

 

© Graham Sherwood 11/2018

Fall Back

It’s an unseasonably warm November Monday

and anxious trees stand rigid, taut

seemingly bewildered by the mild and calm,

their demerara leaf curl hangs softly brushed

in smudged watercoloured splendour.

Delinquent ivy, still boasting green

is wound tight around their trunks and clings

like a mithering child to its mother’s skirt

on this hopeful washing day.

Suspicion hangs dripping

for confusion holds the broken tiller,

course set for winter but with no breeze

lies becalmed in autumn.

 

 

© Graham Sherwood 11/2018

WWRT

Supermarket car park

11am

Big Ben strikes

a lone cannon roars

silence

a distant siren

someone else’s emergency

I hear laughter

a young child’s glee

met with stern disapproval

then a thought strikes

isn’t that smile

that happy heart

what they all died for?

 

© Graham Sherwood 11/11/18

Listen for Sounds

It is impossible upon hearing a sound

not to interpret its meaning,

for sounds are the skeletons of words

meanings are their flesh, as

conversations become torsos

shaped by the timbre and music

of words spilling from our lips.

 

We ascribe a landscape to sounds

adding colours seasons temperatures,

slow torpidity grey dark cold

rhythm movement green bright heat

staccato birth yellow glowing warmth

comfort harvest russet burnished dusk,

sounds are our core, our fibre, our bones.

 

 

© Graham Sherwood 11/2018

Focus

Do the eyes betray one’s soul, they

the architects of a mind’s undoing,

traitors of thoughts

librarians to emotions

witness to our crimes.

Are they kinsmen or adversaries?

 

 

© Graham Sherwood 10/2018

The Search

On the occasion of surprise

or exposure to the new

we may experience elation or devastation.

 

Upon constant repetition

or affirmation of a norm

we become familiar, cognisant, comfortable.

 

If repetition becomes urgent, anti-social

or intrusive

we are prone to divorce or ambivalence.

 

In the search for contentment

we should seek balance

 

of time, of experience, of voice

become selfless.

 

© Graham Sherwood 10/2018

Him

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I never dream of my father

although he’s often in my thoughts

and looks down to my desk

from a teenage photo in uniform,

 

I’m now older than he

by some six years or so

a strange and uncomfortable feeling

that I will forever appear his elder,

 

I last spoke to him in January 1987

when I held his lifeless hand

but cannot remember my words,

 

I knew he was proud of me

and had made him cry once

with that pride

words then were unnecessary,

 

Were we to ever meet again

it would be the river bank

both staring intently at floats

an occasional glance decorated by a smile

 

 

 

© Graham Sherwood 10/2018

Harvest

 

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I gather the last tomatoes

a few hanging stubbornly green,

there’s place on the sunny sill

where they can take their chance.

 

As I harvest, a golden blizzard

pulses, swirling around my boots,

broad leaves intersperse the slim

in a chaotic unfathomable kaleidoscope

shackling my shins

some getting caught in my hatband.

 

Here, in this mesmeric cauldron

there is a gentle but primeval ferocity, where

I fear I could become lost, hidden from view

my skin turned to bark, blood to sap

limbs to boughs in final rest

between the damson, apple and the gauge

 

© Graham Sherwood 10/2018